ENAMEL PARURE, CIRCA 1964

Comprising: a necklace, bracelet, brooch, ring and earrings en suite, decorated with blue enamel applied with floral and foliate motifs, necklace length approximately 490mm. bracelet length approximately 200mm, ring size N, sizing band, fitted case, part illustrated, inscribed:'Ravasco insegnó - Brambilla Ambrogio - fece, 1964'.

All signed Brambilla. Necklace inscribed 'Ravasco insegnó - Brambilla Ambrogio - fece 1964 -' translated means Ravasco taught - Brambilla Ambrogio made. Necklace well articulated, secure clasp, weighing approximately 178.2 grams, bracelet weighing approximately 132.9 grams, sliding clasp. Clip fittings to earrings a little loose. Ring with scratches and indentations consistent with wear. Parure a little tarnished, could benefit from a professional clean. In very good condition. Fitted case does not close properly. Alfredo Ravasco was born in Geneva in 1873. He undertook an apprenticeship with his father, Giacomo Ravasco, and attended the courses held at the Brera Academy School in Milan. He also spent time at the Milanese goldsmith, Eugenio Bellosio's workshop. He reached the height of success in the 1920s and became one of the main representatives of the Modernist movement without ignoring more traditional concepts of jewellery design. A connoisseur of 1920s Paris fashions, Ravasco created jewellery that was unique and stylish often with geometric patterns, using bright, sometimes contrasting colours as a background to diamonds and coloured stones. Ravasco was meticulous in his art, paying the utmost attention to even the smallest detail in his favourite subjects fish, flowers, fruit, leaves. His exceptional inventive ability with precious objects was also put to work in the Monstrance for the Catholic University's Chapel and in the small crown and buckle of the cope belonging to His Holiness Pope Pius XI. His clients were Popes, Kings, Queens, the aristocracy of the day and the wealthy, they could see him at the world's main decorative arts and jewellery exhibitions Milan 1919, Paris and Monza in 1925 and New York in 1939 and several Venice Biennales. Alfredo Ravasco died in 1958 with no next of kin and left his wealth and works to the Stelline Girls' Orphanage in Milan which sold the entire collection at a large public auction held at the Orphanage in 1961.
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