A FINE AND RARE LIME-GREEN GROUND 'FAMILLE-ROSE' 'FOREIGN TRIBUTE' VASE IRON-RED SEAL MARK AND PERIOD OF DAOGUANG

finely painted in brilliant enamels on the gently rounded sides with a continuous scene of foreign emissaries progressing through a hilly landscape carrying tribute gifts, some seen riding horses or mythical beasts, between ruyi borders, the tapering neck with lotus blossoms borne on entwined leafy stems supporting ji medallions and suspending chimes, all reserved on a lime-green ground and flanked by turquoise lingzhi-shaped handles, the footring with a key-fret border, the rim and foot edged in gilt, and the interior and base enameled turquoise, the base inscribed with a six-character reign mark in iron-red

J.M. Hu Family Collection.
Sotheby's New York, 4th June 1985, lot 74.
Jarras Collection II.
Christie's Hong Kong, 8th October 1990, lot 308.
Marchant and Son, London.
Sotheby's Hong Kong, 1st November 1999, lot 402. 

The overall condition is very good. There is very little wear to the enamelling or gilding.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This vase can be considered one of the finest famille-rose examples dating to the Daoguang period, and no other vase of this design appears to have been published. A vase of the same form, design composition and decorative borders, but inscribed with a hallmark and painted with antiques between pink ground bands, in the Palace Museum, Beijing, is illustrated in The Complete Collection of Treasures of the Palace Museum. Porcelains with Cloisonné Enamel Decoration and Famille Rose Decoration, Hong Kong, 1999, pl. 188. Compare also a vase of this type depicting pomegranate trees between bands of related design on a ruby ground, but with a slightly longer and slender neck and no handles, included in the exhibition From the Dragon's Treasure, Museum fur Kunsthandwerk, Frankfurt and Berlin, 1987, cat. no. 53.

The theme of foreign emissaries bearing gifts as part of diplomatic exchanges was popular during the Qing dynasty and reflects the Imperial court's predilection for Occidental subject matters. A similar scene of tribute bearers is found on a vase in the National Palace Museum, Taipei, included in the Special Exhibition of Ch'ing Dynasty Enamelled Porcelains of the Imperial Ateliers, National Palace Museum, Taipei, cat. no. 141. See also a famille rose porcelain plaque carved in high relief with a procession of foreigners, sold at Christie's Hong Kong, 29th May 2007, lot 1400.