- 46
Magic--Clavicula
Description
- del Salomone Re d'Ebrei, la maggiore, spiegata dall' ebreo in volgare per Rabi ColornĂ², illustrated manuscript on paper [Italy, early eighteenth century]
Literature
Joseph H Peterson, "Twilit Grotto: Archives of Western Esoterica", http://www.esotericarchives.com/solomon/ksol.htm
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
"The Key of Solomon is the most famous and important of all Grimoires, or handbooks of Magic" (Peterson). Manuscripts of the complete work are rarely offered for sale. In this manuscript, it is divided into two books (of seventeen and 24 chapters), containing conjurations and experiments to summon and control spirits(illustrated by over 40 magical pentacles), and on exorcism and the use of magical swords and other ritual implements (also illustrated). The same early eighteenth-century hand has added another shorter version, entitled Clavicola de Salamone, tradotta dalla lingua hebraica dal dottisimo mathematico Melchiore d'Egypto (17pp.), containing ten smaller circles and diagrams.
The text is late medieval in origin, and circulated in various manuscript translations until first published in 1889. The text of this manuscript derives from one of the most important: Abraham Colorno's Italian translation of the late sixteenth century, ordered by the Duke of Mantua. The numerous copies of, and derivative translations stemming from, Colorno's version are recorded by Joseph H Peterson.