- 21
Sam Francis
Estimate
30,000 - 40,000 USD
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Description
- Sam Francis
- Untitled
- signed, dated Los Angeles 1963-1964 Tokyo, and inscribed on the reverse
acrylic, gouache and egg tempera on paper
- 9 3/8 by 13 in.
- 23.8 by 33 cm.
Condition
Inscription reads: For Bob Tyler Don't Stop. Sam
Not examined out of frame; whole sheet visible. In good condition aside from scattered spots of cracquelure to the paint. Bumped lower right corner. Slight abrasions upper left corner at edge. Slight discoloration to sheet.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Executed in 1963-64, this work will be included in the forthcoming Sam Francis Catalogue Raisonné edited by Debra Burchett-Lere and published by the University of California Press, and is registered with the Sam Francis Foundation as archive number SF64-615.