- 166
Erwin Wurm
Estimate
1,500 - 2,000 EUR
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Description
- Erwin Wurm
- One minute sculpture
- signé, daté et numéroté 1/V au dos
- photographie en couleurs
- 45,8 x 30,2 cm ; 18 x 11 3/4 in.
- Exécutée en 1997, cette oeuvre est le numéro 1 d'une édition à 5 exemplaires.
Provenance
Galerie Art Concept, Paris
Acquis auprès de celle-ci en 2002 par le propriétaire actuel
Acquis auprès de celle-ci en 2002 par le propriétaire actuel
Exhibited
Aix la Chapelle/Aachen, Ludwig Forum für International Kunst, Erwin Wurm, The Artist who swallowed the world, 2006 ; itinérante à Vienne, MUMOK, Museum Moderner Kunst Stiftung Ludwig, 2006-2007 ; Hamburg, Deichtorhallen, 2007 ; Lyon, Musée d'Art Contemporain, 2007 ; St-Gallen, Kunstmuseum, 2008 ; catalogue, p.100, illustré en couleurs
Graz, Neue Galerie Graz, Erwin Wurm, Fat Survival, Handlungsformen der Skulptur, 2001-2002 ; itinérante à Paris, Centre National de la photographie, 2002 ; Bologna, Galleria d'Arte Moderna, 2002 ; Karlsruhe, ZKM Center for Art and Media, 2003 ; catalogue, p.115, illustré en couleurs
San Francisco, Yerba Buena Center for the Arts, Erwin Wurm, I Love My Time, I Don't Like My Time, 2004-2005 ; itinérante à Cincinnati, Contemporary Arts Center, 2005 ; Des Moines, Art Center, 2006 ; catalogue, p.184, illustré en couleurs
Londres, The Photographer's Gallery, Erwin Wurm, 2000-2001 ; itinérante à Genève, Centre pour l'Image Contemporaine Saint-Gervais, 2001 ; catalogue, p.38, illustré en couleurs
Graz, Neue Galerie Graz, Erwin Wurm, Fat Survival, Handlungsformen der Skulptur, 2001-2002 ; itinérante à Paris, Centre National de la photographie, 2002 ; Bologna, Galleria d'Arte Moderna, 2002 ; Karlsruhe, ZKM Center for Art and Media, 2003 ; catalogue, p.115, illustré en couleurs
San Francisco, Yerba Buena Center for the Arts, Erwin Wurm, I Love My Time, I Don't Like My Time, 2004-2005 ; itinérante à Cincinnati, Contemporary Arts Center, 2005 ; Des Moines, Art Center, 2006 ; catalogue, p.184, illustré en couleurs
Londres, The Photographer's Gallery, Erwin Wurm, 2000-2001 ; itinérante à Genève, Centre pour l'Image Contemporaine Saint-Gervais, 2001 ; catalogue, p.38, illustré en couleurs
Condition
The colours are fairly accurate in the catalogue illustration, althought the grey background tends towards grey-blue in the original and the black shadow along the upper edge is lighter in the original.
The work is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
signed, dated and numbered 1/V on the back; colour photograph. Executed in 1997, this work is numbered 1 from an edition of 5.