- 370
Thomas Demand
Estimate
80,000 - 120,000 USD
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Description
- Thomas Demand
- Drei Garagen/ Three Garages
signed, dated 1995 and numbered 2/5 on the reverse wood support
- digital color coupler print face mounted to Plexiglas
- 37 by 91 1/2 in. 94 by 232.4 cm.
Provenance
Max Protetch Gallery, New York
Acquired by the present owner from the above
Acquired by the present owner from the above
Exhibited
Le Channel, Galerie de l'ancienne poste; Calais & Centre d'art Contemporain de Vassivière en Limousin, Thomas Demand, 1996-1997, illustrated (another example exhibited)
Kunsthalle Zürich; Kunsthalle Bielfeld, Thomas Demand, March - September 1998 (another example exhibited)
Kunstverein Freiburg, Thomas Demand, 1998, pp. 12-13 (another example exhibited)
London, Architectural Association, Reconstructing Space: Architecture in Recent German Photography, April - May 1999, p. 101 (another example exhibited)
Kunstmuseum Bonn; North Miami, Museum of Contemporary Art, Thomas Demand, Andreas Gursky, Edward Ruscha, 1999, p. 67 (another example exhibited)
Kunsthaus Bregenz, Thomas Demand: Phototrophy, September - November 2004, pp. 102-103, illustrated in color (another example exhibited)
Kunsthalle Zürich; Kunsthalle Bielfeld, Thomas Demand, March - September 1998 (another example exhibited)
Kunstverein Freiburg, Thomas Demand, 1998, pp. 12-13 (another example exhibited)
London, Architectural Association, Reconstructing Space: Architecture in Recent German Photography, April - May 1999, p. 101 (another example exhibited)
Kunstmuseum Bonn; North Miami, Museum of Contemporary Art, Thomas Demand, Andreas Gursky, Edward Ruscha, 1999, p. 67 (another example exhibited)
Kunsthaus Bregenz, Thomas Demand: Phototrophy, September - November 2004, pp. 102-103, illustrated in color (another example exhibited)
Literature
Jörg Heisler, "Der Neutronen-bomben-Effekt," Parkett, no. 62, September 2001, p. 142, illustrated
Condition
This work is in very good condition overall. There is scattered light evidence of handling and fine unobtrusive abrasions. There are a few scattered spots where the artist has retouched the photograph as a result of inconsistencies of the emulsion process. Face mounted to Plexiglas. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.