- 230
Paul Dubois
Estimate
5,000 - 7,000 USD
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Description
- Paul Dubois
- La Charité
- signed P. DUBOIS to the reverse and stamped F. BARBEDIENNE, Fondeur, Paris to the base.
- bronze, dark brown patina
- height 25 1/4 in.
- 64 cm
Condition
Overall good condition; light rubbing and wear to the surface.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Charité was one of four bronze allegorical seated figures executed by Dubois for the corners of the Monument to the Memory of General Juchault de Lamoricière (1806-65). The plaster model was exhibited at the Salon of 1876 alongside Courage Militaire and the completed monument was displayed at the Exposition Universelle in 1878, prior to its installation in the transept of Nantes Cathedral the following year. This sculpture personifies Charity as a mother protecting her naked children was easily recognizable to the 19th century viewer. Renaissance and contemporary interpretations of the subject were both displayed in European museums, and circulated in popular engravings.