Fernand Le Quesne

Original canvas. There are scattered areas of retouching visible under ultraviolet light, notably along the upper extreme right and left edges and some minor infilling to the figure's chest. Apart from very fine scattered craquelure, this work is in very good condition, with fresh colours and fine detail, and ready to hang. Held in a decorative, gold-painted moulded plaster and wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Le Quesne's humorous take on the burgeoning consumerism of the belle époque is set in a bustling Place de la Concorde. The allegorical figure of Advertising can hardly be kept on the ground by the straining balloons promoting everything from department stores like the Bon Marché, Pygmalion and the Samaritaine, to the latest theatre performances and museum shows. Strewn on the ground are a medley of European and American newspaper titles, the vehicles par excellence for advertising, while in the background the plinth of the statue is pasted with poster bills, and wheeled as well as human billboards vie for attention in the square.