After Antonio Canova

Overall the condition of the marble is very good. There is some minor wear and dirt consistent with age. There is some slightly visible veining to the surface and there are a few minor inclusions consistent with material. There are a few minor nicks to the edges of the drapery. The ends of the ring and little fingers of the proper right hand of the figure with the wreath have been restored.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Canova's Danzatrice con le mani sui fianchi (1805-1812) and Danzatrice col dito al mento (1809-1814) are often found as pendants but the former model pre-dates the latter by a few years. The original plaster models of both figures survive in the Gipsoteca Possagno (inventory nos.168 & 196 respectively) while the primary marble version of Danzatrice con le mani sui fianchi is in the Hermitage. The primary marble of Danzatrice col dito al mento is in the Galleria Nazionale d'Arte Antica in Rome.