Lot 158
  • 158

Mary Ethel Young Hunter

Estimate
8,000 - 12,000 GBP
bidding is closed

Description

  • Mary Ethel Young Hunter
  • red slippers
  • signed and dated l.r.: Mary Young Hunter 1910
  • oil on canvas

Provenance

By descent through the artist's family

Exhibited

London, Royal Academy, 1910, no. 894;
London, Pyms Gallery, Edwardian Pre-Raphaelites, The Art of John and Mary Young Hunter, June 2000, no. 43

Literature

Royal Academy Pictures, 1910, illustrated p. 113;
Pictures of the Year, special edition of Pall Mall Magazine, 1910, illustrated p. 100

Condition

STRUCTURE This picture is in excellent original condition with strong colours and rich texture throughout. There are small areas of blooming on the pelt of the animal and on the girl's fur collar but this is only visible upon close inspection. UNDER ULTRAVIOLET LIGHT There are very minor retouchings to the red flower close to the back of the chair and a line of flecked retouching in the lower left foreground. These retouchings are not excessive or visible to the naked eye. FRAME This picture is contained in a plaster moulded frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Mary Young Hunter was best-known for her portraits of child sitters and it is in this genre that she excelled. Her flamboyant style and sophisticated colour harmony are demostrated in this delightful portrait of her five year old daughter Gabrielle. The little girl appears to be playing with her mother's fur stole, wreated in her cloak and beneath a spring bonnet decorated with a large white ostrich plume. The implication is that she has been playing 'dress up' with her mother's clothes which suggests a charming interaction between the painter/mother and the daughter/sitter. The chair in which she is seated appears over-size which emphasises her petiteness as do her red-slippered toes which do not meet the ground. These slippers that give the painting its title, also give an accent of bright colour, picked up by the lacquer of the chair and the flowers on the painted screen and the cherubic lips of the girl.

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