probably German, early 17th century After a model by Giambologna (1529-1608)

on an ebonized wood plinth

Overall the condition of the bronze is excellent. There is some minor wear and dirt consistent with age. There is some flaking to the lacquer. The left ear of the horse is slightly bent and cracked. A greenish paint has been spilled on the hoofs touching the base. The brass inlaid, ebonised wood base is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The model of the pacing horse was mentioned by Baldinucci in 1688 in his list of Giambologna's work. There are a number of versions of the horse, both seventeenth century and later. A lifetime cast in the Victoria and Albert Museum has been dated to 1605. The model relates to the great equestrian monument to Cosimo I de'Medici, completed in the last phase of Giambologna's artistic career. Work on the monument was a collaborative project with Cigioli and Pagani producing sketches for the monument and Antonio Susini modelling the group.

The present cast is distinguished by an unusual fine chasing on the surface, describing the horse's hair.

RELATED LITERATURE
C. Avery and A. Radcliffe, Giambologna 1529-1608: Sculptor to the Medici, exh. cat. Victoria and Albert Museum, London, 1978, p. 174, no. 151