Henry Dasson

Overall in good condition with the usual minor scratches, dents and nicks consistent with age and use. Slight tarnishing to gilt-bronze in places. Slight lifting to brass and pewter inlay in places and minor losses to ebony veneer in places. The marble top is so heavy and thick, the legs are slightly unstable.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Henry Dasson established his workshop at 106, Rue Vielle du Temple, after a brief career at Rue des Nonnains-d' Hières in the fabrication of bronze artifacts and clocks in association with Godot.  In 1871, he bought the workshop and stock for 14,000 francs from the widow of the ébéniste Charles-Guillaume Winckelsen, and soon became recognized as a brilliant ébéniste and bronzier.  Specializing mostly in the production of works from the Garde Meuble National, he participated in the 1878 Paris Exposition Universelle prompting critic Louis Gonse to comment: 'nouveau venu dans la carrière industrielle Henri Dasson s'est rapidement crée par la perfection de ses oeuvres une très haute situation à laquelle nous applaudissons chaleureusement.' He was made a Chevalier of the Légion d'honneur in 1883 and was awarded the Grand Prix Artistique at the 1889 Paris Exposition Universelle. When the business finally closed in 1894, an auction was organized clearing the remaining of his stock.