Lot 33
  • 33

Northern Artist active in Venice second half of the 16th Century

Estimate
7,000 - 9,000 USD
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Description

  • a seated assembly
  • Pen and brown ink and wash, over black chalk

Provenance

Galerie de Bayser, Paris; acquired in 2002

Condition

Laid down on japan paper. Cut down from a bigger sheet, there are traces of two folds, one horizontal and one vertical. Some repaired losses at the bottom and on the left-hand margin, some staining scattered on the page. Not in perfect condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The style of this drawing is very influenced by Venetian artists such as Palma il Giovane and it is very likely that it is the work of a northern artist working in Venice. Contact between Venice and the North was extensive, and generally encouraged from both sides. The city is, of course, relatively close to Germany, and the art coming from Venice as well the esteem in which Venetian painters were held in Northern countries created a continuous stream of artists coming to the city of Venice to be trained, and to absorb the lessons of Titian, Veronese and Tintoretto.