An Italian rococo ormolu-mounted, kingwood parquetry commode Genoa, mid 18th century

with a serpentine-fronted brèche de violette marble top, the bombé case with two drawers, the corners with pierced ormolu mounts, raised on splayed legs fitted with ormolu sabots.

Restorations to the marble (formerly broken in three large pieces). Minor infill to the veneer. Hairline age cracks to the veneer, some in the grain and others to the burr inlay at the center. General veneer surface is very smooth and very stable. Dents to the side mounts. Hairline cracks to the veneer on some of the legs particularly to the back of the front right leg. Minor marks consistent with age. In overall very good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This commode incorporates all the hallmarks of high quality Genoese furniture production in the middle of the 18th century. The highly characteristic "butterfly wing" inlay, the selection of veneers, and the overal design and shape, leave no doubt as to its origins. The Republic of Genoa was in close proximity to France, and the political influence of the French court was keenly felt and demonstrated in the cultural life of the area. Genoa was a major port; consequently the Genoese cabinetmakers had relatively easy access to a variety of exotic veneers.  

A number of nearly identical commodes are illustrated, L.C. Caimi, L'ebanisteria Genovese del settecento, Parma, 1995, p. 163 ff.