Lot 500
  • 500

Tatiana Nikolaevna Glebova

Estimate
150,000 - 200,000 GBP
bidding is closed

Description

  • Tatiana Nikolaevna Glebova
  • I exist
  • titled in Cyrillic and dated 1956 on the reverse
  • oil on canvas
  • 70 by 94.5cm., 27 1/2 by 37 1/4 in.

Literature

The Filonovites: from the Masters of Analytical Art to the Post Avantgard, Art-Divazh Gallery, 2006, p.31

 

Condition

Original canvas, which is a little loose on the stretcher. The paint surface is slightly dirty, there are lines of craquelure in places. Flecks of paint-loss are visible in places through out, especially to the lower right quadrant. UV-light reveals no retouching. Held in a gold painted wooden frame. Unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Executed in 1956.

 

The Filonov school was renowned for its rigorous teacher-pupil relationship, stemming from the concept that analytical art was closer to a personal disposition than a universal creative method. The process of study lay at the centre of a work's creation and, as Filonov argued in Ideology of Analytical Art, the more conscientiously an artist works on his intellect, the stronger the effect of the finished composition on the spectator. It was the artist's aim to record in minute detail through his materials the inner psychological process within them.

 

Tatiana Glebova was a student in Alexei Savinov's studio from 1924-6, before becoming Pavel Filonov's student in 1926 and joining the Masters of Analytical Art, where she contributed to all their projects until 1932.