- 272
Leonid Terentievich Chupiatov
Description
- Leonid Terentievich Chupiatov
- Two Stools and a Table
- oil on canvas
- 100 by 80cm., 39 1/2 by 31 1/2 in.
- 100.5 by 80 cm
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Leonid Terentyevich Chupiatov made his artistic debut while in university in St. Petersburg, where he studied with Kuzma Petrov-Vodkin and was an assistant at Vladimir Tatlin's studio. Chupiatov is renowned for his remarkable synthesis of Petrov-Vodkin's classicism with Tatlin's constructivist style. He is perhaps most well known for his many stage designs. Chupiatov's works appeared in exhibitions mounted by several prestigious groups, including the World of Art Group, of which he was a member from 1916-1918. His work was also included in shows of the Society of Artist-Individualists (1922), Heat-Color (1924) and the Union of Contemporary Artists of the Ukraine (1928).
Chupiatov's Two Stools and a Table illustrates the artist's fascination with industrial growth and infrastructure and is reminiscent of his works for the theater. The work includes abrupt foreshortening of perspective and a stylized urban landscape. The angularities of Chupiatov's composition, with its repeating pyramids, cubes, and rectangles are enhanced by the restrained palette of monochromatic browns and grays. Chupiatov also emphasizes the solidity of the forms with tonality and shadows.
Two Stools and a Table also exemplifies Chupiatov's playfulness, as his awkwardly placed trompe l'oeil frame is an integral part of the composition. Chupiatov often included seemingly incongruous elements in his still-life compositions. For example, Chupiatov added a ball to the upper left corner of Apples and Lemon, 1923, an otherwise straightforward still-life.
Leonid Chupiatov's work can be found at the Russian State Museum in St. Petersburg and in private collections throughout the world.