- 172
Nikolai Alexandrovich Tarkhov
Description
- Nikolai Alexandrovich Tarkhov
- Young Girl with Cat
- signed in Latin l.l.
- oil on canvas
- 129 by 97cm., 50 3/4 by 38 1/4 in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Nikolai Tarkhov moved from Moscow to Paris in 1899. By 1906, the noted art dealer and publisher Ambroise Vollard mounted an extensive solo exhibition of over 70 of Tarkhov's paintings. In the 1907 Salon d'Automne, Tarkhov's vivid, exuberant work led one reviewer to regard him as "part of the younger Bohemian crowd [who] outrage even the Byzantines and our North American Indians with their brilliant colour" (cited in Eleanor Green, Nicolas Tarkhoff, Berry-Hill Galleries, 1989-1990, p. 7). The same year he was made a member of the society with the right to exhibit ten works and continued to contribute to the Salon until 1911.
Tarkhov's early friendship with Konstantin Korovin introduced him to the vibrant colours and rapid brushwork of impressionist painting. Additionally, works by Monet, Van Gogh and the Fauves greatly influenced his style and choice of motifs. The present work is an important early example of this impressionistic style. Following the birth of his son, Jean, in 1905, Tarkhov concentrated on the theme of motherhood and tender descriptions of the family were to reappear in every one of the succeeding Salons.