- 45
Vera Rockline
Description
- Vera Rockline
- Landscape
- signed in Latin l.l.; further inscribed VR-45 on reverse
- oil on canvas
- 88.5 by 66.5cm., 34 3/4 by 26 1/4 in.
Exhibited
Paris, Galerie Jean Battais, May-June 1975, no.5
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
'I like Vera Rockline's art. I pity people who do not like it. What can one say to those who have not yet understood it?' wrote the leading Paris couturier, Paul Poiret, in the preface to her 1925 solo exhibition at the Galerie Vildrac in Paris. While studying in Paris, she exhibited her work at the Salon d'Automne and earned the praise of the art historian and critic, Waldemar Georges, who considered her paintings truly 'authentic'. As a young woman Rockline had studied under Ilya Mashkov and Alexandra Exter, but left Moscow in 1919 for Georgia, before finally settling in Paris in 1921.
Rockline's work featured in a major group exhibition in 2002, Elles de Montparnasse, at the Musée de Montparnasse in Paris, alongside paintings by Tamara de Lempicka, Marie Laurencin, Chana Orloff, Sonia Delaunay and Natalia Gontcharova. The exhibition celebrated the role of Montparnasse's female artists as practising painters in their own right, whose role was not confined to that of models and muses for their more celebrated male counterparts. Rockline's delicate and nuanced palette, reminiscent of Cézanne, and her unique approach to Cubism are beautifully demonstrated in this unsettled landscape.