- 7
Victor-Joseph SEGOFFIN
Estimate
15,000 - 20,000 USD
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Description
- Victor-Joseph SEGOFFIN
- Mauvais Génie
- bronze, dark brown patina
- height 24 3/4 in.
- 63 cm
the base signed AJVtor / Ségoffin 1891 with the Susse Fes Edrs Paris foundry mark.
Condition
Overall in good original condition with the usual wear to patina in places, especially to the top of head, arms and legs consistent with handling and touching. Light scratches and dents consistent with age.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Ségoffin was born in Toulouse and studied in Paris under Pierre Jules Cavalier, as well as Louis Ernest Barrias, who was a strong influence, at the École des Beaux-Arts. He debuted at the Salon in 1890 and won the Grand Prix de Rome in 1897. The plaster model of the present work was first exhibited in 1892.