- 208
James Casebere (b. 1953)
Estimate
10,000 - 15,000 GBP
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Description
- James Casebere
- Spanish Bath (Horizontal), 2003
Chromogenic print, mounted front and back to Plexiglas. Number 5 in an edition of 5 plus 2 Artist's Proofs.
Provenance
Acquired by the present owner from Galerie Daniel Templon, Paris.
Condition
Excellent - only very light superficial marking to the Plexiglas from incautious dusting.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
James Casebere photographs models which he himself builds of the architectural spaces which interest him. To that extent, like Thomas Demand, he is taking more complete control of the process of photography by adding a sculptural element. To the simple act of relaying the world as a photographer might find it, he adds the extra effort of making his world first. His photographs are doubly staged: once in the choosing of the place to be remade, and once in the designing. By then stripping away all extraneous detail, Casebere makes every building have something of the austerity of mood of Le Corbusier's great chapel at Ronchamp. Casebere's buildings are sonatas in serenity.