Italian School, 17th century

Canvas relined and paint surface has been slightly pressed as a result. Under a thick dirty varnish. There are very good passages of paint in much of the figure including face and most of the flesh tones and the costume, which have all remained in fine condition. However, there are other areas that show abrasion, particularly at right of the costume, and especially at the far right side of his raised arm. There is also abrasion in the drapery underneath his hand holding the pasta bowl. In addition there are thinnesses throughout the darks of the background. The browns of his hair are also thin and pressed. Despite all of this, as mentioned before, the painting retains many good passages and presents a strong and handsome image. It is impossible to see anything under ultraviolet. In a carved and giltwood frame with losses to gilding.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.