After Sir Peter Paul Rubens

The support consists of two horizontal panels secured by a grid of battens. The paint surface is peeling and tenting in some areas. There is also paint loss along the panel joins and along a horizontal crack along the lower edge. The paint is under a dirty discoloured varnish. The varnish prevents thorough inspection under UV light although some more recnt retouchings do flouresce. Offered in a wood and plaster frame with scattered damages.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A 17th-century copy, in reverse, of the original found in Paris, Le Petit Palais (see M. Jaffé, Rubens, Milan 1989, p. 249, cat. no. 539, reproduced).