Lot 40
  • 40

Attributed to Cornelis de Man

Estimate
2,000 - 3,000 GBP
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Description

  • Cornelis de Man
  • recto: two men, one elaborately dressed, before a fireplace, a woman in a kitchen beyond;verso: a woman bending forwards in work, and a dancing putto
  • Pen and brown ink and wash, over black chalk (recto);
    black lead (verso)

Provenance

Count M. von Fries (L.2903);
Jacobus A. Klaver, Amsterdam 

Condition

Unframed. Window mounted on japan paper. The ink is slightly sunk in parts, but overall the condition is fine.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This drawing was purchased as an illustration of the story of "Jacob and Joseph," but it is not clear what biblical episode it was thought to represent.  The placement of an exotic figure in a down-to-earth Dutch interior is very charming, and typical of the painted work of Cornelis de Man; see, for example, his Man Weighing Gold in the Hornstein Collection, Montreal.De Man, along with fellow Delft artists Jacobus Vrel, Esaias Boursse and Pieter Janssens Elinga, continued and developed the visual traditions established by Vermeer and De Hooch.  Drawings by the artist are, however, unknown, so the attribution is tentative, and based on comparison with his paintings.

1.  See Delft Masters, Vermeer's Contemporaries, exhibition catalogue, Delft, Prinsenhof, 1996, p. 193, fig. 190