Lot 273
  • 273

# - Botanical drawings–[?Huet, Jean Baptiste.

Estimate
12,000 - 18,000 GBP
bidding is closed

Description

  • Recueil d'aquarelles originales. France or the Netherlands?, c.1787]
4to (310 x 265mm.), 117 botanical drawings in watercolour and gouache (each approx 200 x 160mm.) showing European and American cultivated plants, mostly agricultural crops, early nineteenth-century ?French half morocco over marbled boards 

Condition

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

finely-executed eighteenth-century botanical drawings of agricultural plants. Most show flowers, seeds or fruits, stems and leaves when relevant, and also a few roots. They cover about thirty-five different genera, including a wide variety of grains (two show six ears of corn), beans and peas, as well as tobacco, an opium poppy, flax, potato, aubergine, cabbage, sunflower, clover, grass and other crops. A few show mould and ergot infections. Traces of the underlying sketches in black crayon are often visible.

Each drawing has been cut down to its simple ink border (nos. 1-66) or just outside it (nos. 67-117), and the corners pasted down on the album leaves. Many contain contemporary numbers in brown ink, ten with the date 1787, and a few show traces of the French plant name in ink or black crayon.

According to Sam Segal, "the execution is very artistic. In a couple of cases the artist provides a shaded background, for example with the white flowers of an opium poppy (no. 45), which make a splendid contrast with the background in various shades of grey. As a result, the whole, with its grey-green leaves and fruits, is harmoniously recorded in related tonal values". The artist cannot be identified with any certainty, but several drawings by Jean Baptiste Huet (1745-1811) in Paris resemble the present ones in style, inscriptions, subject matter and format (see, for example, his drawing of pumpkins in the exhibition catalogue, France in the Eighteenth Century, London 1968, no. 342).

We are grateful to Sam Segal for his assistance in the cataloguing of this lot.