Wilhelm Melbye

STRUCTURE The canvas has been relined. PAINT SURFACE There are traces of craquelure to the paint surface and a few scattered areas of dirt. Some infilling to craquelure to the sails, lower left and the sea, is visible to the naked eye and there is evidence of a repair to the centre of the work. Also a stretcher mark running vertically up the centre of the work. ULTRAVIOLET UV light reveals infilling to craquelure in the sea and to the vessel, lower left. Retouching to the rowing boat in the foreground and retouching to frame abrasions on each edge. FRAME Unframed
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The dramatic topography of the present work is unclear.  However, considering the artist and the coastline, it is possible it is off the coast of Norway.  The imposing scenery serves as a fitting backdrop to a momentous event; a small section of mast and rigging is just visible in the heavy seas.  A lone lifeboat is all that is left from a vessel which has presumably foundered on the rocks; the approaching vessel provides a glimmer of hope in the desolate scene.

We are extremely grateful to Roger Quarm for his assistance in cataloguing the present work.