Lot 60
  • 60

Mordecai Ardon 1896-1992

Estimate
280,000 - 350,000 USD
bidding is closed

Description

  • Mordecai Ardon
  • At the Red Sea
  • signed Ardon and dated 63 (lower left); signed, titled At the Red Sea in English and Hebrew and dated (on the stretcher)

  • oil on canvas
  • 40 by 45 in.
  • 101.1 by 114.3 cm.
  • Painted in 1963.

Literature

Michele Vishny, Mordechai Ardon, New York, no. 176, plate 126, illustrated

Condition

Overall good condition. Canvas is not lined. Slight surface soiling throughout. Minor dent approximately 1 inch in diameter in upper right quadrant. Under UV: Black areas of paint fluoresce.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The depth, richness and delicate balance of the colors in this painting are typical of Ardon's work of this period. In this work, the artist demonstrates his incredible talent in transforming the landscape into a jewel-like masterpiece, with his use of vibrant colors intensifying the glowing colors of the coral reef of the Red Sea . Avram Kampf discusses Mordechai Ardon's abstracted landscape compositions as follows: "... the light of the sky and its scintillating reflections on the ground play a major role. They are all carefully crafted in the Bauhaus tradition and occupy a place somewhere between objectivity and abstraction. Although the painting seems to have originated in a perceived landcsape, it is an organic self-contained composition. Loosley-grouped, random forms in the sky are echoed by brightly-coloured rectangulat forms grouped... in the lower part of the canvas. Illusionistc pictorial depth is not abandoned; it no longer relates to traditional perspective, but is evoked by different advancing or receding colours." (Avram Kampf, Chagall to Kitaj, Jewish Experience in 20th Century Art, London, 1990, p. 155).