- 4
Mané-Katz 1894-1962
Description
- Mané-Katz
- The Quartet
- signed Mane Katz (lower right)
- oil on canvas
- 36 1/2 by 29 in.
- 92.5 by 73.5 cm.
- Painted in the 1930s.
Provenance
Mr. Aharon Sacharov, Israel
Thence by descent
Purchased from the above by the present owner
Literature
Robert S. Aries, Mané-Katz, The Complete Works, London, 1970, vol I, no.172, p. 54, illustrated
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Born to a Jewish Orthodox family in Ukraine in 1894, Mané-Katz began his study of art at an early age and attended the School of Fine Arts in Kiev and then the École des Beaux Arts in Paris in 1913. His classes there under the tutelage of Fernand Cormon, shaped his artistic style, and influences of Rembrandt, the Fauves and even Cubism are abundant throughout his oeuvre. He became close to Pablo Picasso and other prominent artists, and he became associated with the École de Paris movement. This movement was coined by André Warnod in the mid –twenties and was attached to the group of Jewish artist's, mostly from Eastern Europe, who arrived and settled in Paris between the two wars and whose style leaned towards Expressionism and Fauvism. In 1917 he returned to the Ukraine to teach , but was back in Paris by 1921. The subjects of his oeuvre throughout his life , such as the Jewish musicians in the present work, were derived from the scenes of Jewish life he experienced in his homeland, but imbued with the bright and cheerful colors of Fauvism and with the energetic rapid brushstrokes associated with Expressionism and the work of Soutine.