Lot 4
  • 4

Mané-Katz 1894-1962

Estimate
60,000 - 80,000 USD
Log in to view results
bidding is closed

Description

  • Mané-Katz
  • The Quartet
  • signed Mane Katz (lower right)
  • oil on canvas
  • 36 1/2 by 29 in.
  • 92.5 by 73.5 cm.
  • Painted in the 1930s.

Provenance

O'Hana Gallery, London
Mr. Aharon Sacharov, Israel
Thence by descent
Purchased from the above by the present owner

Literature

Robert S. Aries, Mané-Katz, The Complete Works, London, 1970, vol I, no.172, p. 54, illustrated

Condition

Original canvas. There is faint craquelure mostly concentrated on the bottom left corner (red area) and on the upper right. There are horizontal lines with slight craquelure corresponding to the center stretcher. Overall this work is in good condition. This work has not yet been examined under UV light.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Born to a Jewish Orthodox family in Ukraine in 1894, Mané-Katz began his study of art at an early age and attended the School of Fine Arts in Kiev and then the École des Beaux Arts in Paris in 1913. His classes there under the tutelage of Fernand Cormon, shaped his artistic style, and influences of Rembrandt, the Fauves and even Cubism are abundant throughout his oeuvre. He became close to Pablo Picasso and other prominent artists, and he became associated with the École de Paris movement. This movement was coined by André Warnod in the mid –twenties and was attached to the group of Jewish artist's, mostly from Eastern Europe, who arrived and settled in Paris between the two wars and whose style leaned towards Expressionism and Fauvism. In 1917 he returned to the Ukraine to teach , but was back in Paris by 1921. The subjects of his oeuvre throughout his life , such as the Jewish musicians in the present work, were derived from the scenes of Jewish life he experienced in his homeland, but imbued with the bright and cheerful colors of Fauvism and with the energetic rapid brushstrokes associated with Expressionism and the work of Soutine.