- 212
An Illustration from the Hamir Hath
Estimate
10,000 - 15,000 USD
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Description
- An Illustration from the Hamir Hath
Opaque watercolor heightened with gold on paper
- image 12 5/8 by 17 3/4 in. (32 by 35 cm.)
- folio 14 5/8 by 19 7/8 in. (37 by 50.5 cm.)
The Rajasthani ballad, the Hamir Hath, or the 'Pride of Hamir,' composed by the bard Sarangdhar, relates the story of Hamir Deo, the valorous but arrogant Chauhan ruler of Ranthambor, who fell in a heroic struggle against Sultan Ala'uddin of Delhi.
The present illustration depicts a panoramic scene. Ala'uddin's European gunners, identifable by their brimmed top hats, have breached the walls of the Ranthambore fort, where Hamir is ensconced with his inner circle. All are aware of the difficult outcome that lies ahead but decide to continue the struggle. Hamir's archers, pictured at the lower right, attempt to hold the fort in a last stand. At left, Ala'uddin is seen seated within his tent engaged in consulation with his advisors.
For more scenes from this story and for further discussion, see Karl Khandalvala, Pahari Miniature Painting, Bombay, 1958, nos. 185 & 186, pp. 230 & 232. For further illustrations from this series, see Sotheby's New York, April 1, 2005, lot 116; September 20, 2005, lot 115 and September 19, 2006, lot 21.
The present illustration depicts a panoramic scene. Ala'uddin's European gunners, identifable by their brimmed top hats, have breached the walls of the Ranthambore fort, where Hamir is ensconced with his inner circle. All are aware of the difficult outcome that lies ahead but decide to continue the struggle. Hamir's archers, pictured at the lower right, attempt to hold the fort in a last stand. At left, Ala'uddin is seen seated within his tent engaged in consulation with his advisors.
For more scenes from this story and for further discussion, see Karl Khandalvala, Pahari Miniature Painting, Bombay, 1958, nos. 185 & 186, pp. 230 & 232. For further illustrations from this series, see Sotheby's New York, April 1, 2005, lot 116; September 20, 2005, lot 115 and September 19, 2006, lot 21.
Provenance
Sotheby's New York, April 1, 2005, lot 115
Formerly in a private German collection
Condition
Staining and abrasions and small paint losses along upper left edge of painting. Colors slightly richer than catalogue illustration.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.