Lot 202
  • 202

Henri Matisse

Estimate
50,000 - 70,000 GBP
Log in to view results
bidding is closed

Description

  • Henri Matisse
  • DOUCIA
  • signed H. Matisse, titled and dated janv 51 (lower right)
  • black crayon on paper

  • 52.4 by 40.3cm., 20 5/8 by 15 7/8 in.

Provenance

Private Collection, France

Condition

Executed on white wove paper, laid down on very thin Japan paper, which is hinged to the mount at the top two corners. All four edges are deckled and there are artist's pinholes to all four corners. Apart from some very minor studio marks, this work is in very good condition. Colours: Overall fairly accurate although the paper tone in warmer in the original.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Henri Matisse, fascinated by exotic physiognomies as well as by Oriental decoration, used several West Indian women as models. In choosing sitters of non-Western ethnicity, he followed the Orientalist tradition that has its origins in 19th Century French culture. Inspired by his journey to Morocco in 1912-13, he painted exotic costumes and lavishly ornamented interiors throughout his career. In the present work, Matisse depicts the woman in an elegant, highly stylised manner, creating a powerful image with an assured, free flowing line.