- 390
Jean-Baptiste-Armand Guillaumin
Estimate
100,000 - 150,000 USD
bidding is closed
Description
- Jean-Baptiste-Armand Guillaumin
- Les Ruines du château de crozant
- Signed Guillaumin (lower left)
- Oil on canvas
- 29 by 39 1/2 in.
- 74 by 100 cm
Provenance
Galerie Durand-Ruel, Paris
Lucien Schloss, Paris
Peter Findlay, New York
Private Collection, France
Lucien Schloss, Paris
Peter Findlay, New York
Private Collection, France
Exhibited
Geneva, Musée du Petit Palais, Guillaumin, 1992, no. 32, illustrated in color in the catalogue
Toulouse, Musée Paul Dupuy & Clermont Ferrand, Musée des Beaux Arts, Armand Guillaumin l'impressionniste, ami de Cézanne et de Van Gogh, 1993 - 1995, no. 32, illustrated in the catalogue
Cologne, Wallraf-Richartz Museum, Vom Spiel der farbe Armand Guillaumin ein wergessener Impressionist, 1996, no. G68, illustrated in the catalogue
Lausanne, Fondation de l'Hermitage, Armand Guillaumin, un maitre de l'impressionnisme, 1997, no. 62, illustrated in the catalogue
Belfort, Musée d'Art et d'histoire, Armand Guillaumin de la lumière à la couleur, 1997, no. 35, illustrated in the catalogue
Turin, Palazzo Bricheriaso, l'Impressionismo di Guillaumin, 2003 - 2007, p. 105, illustrated in color in the catalogue
Toulouse, Musée Paul Dupuy & Clermont Ferrand, Musée des Beaux Arts, Armand Guillaumin l'impressionniste, ami de Cézanne et de Van Gogh, 1993 - 1995, no. 32, illustrated in the catalogue
Cologne, Wallraf-Richartz Museum, Vom Spiel der farbe Armand Guillaumin ein wergessener Impressionist, 1996, no. G68, illustrated in the catalogue
Lausanne, Fondation de l'Hermitage, Armand Guillaumin, un maitre de l'impressionnisme, 1997, no. 62, illustrated in the catalogue
Belfort, Musée d'Art et d'histoire, Armand Guillaumin de la lumière à la couleur, 1997, no. 35, illustrated in the catalogue
Turin, Palazzo Bricheriaso, l'Impressionismo di Guillaumin, 2003 - 2007, p. 105, illustrated in color in the catalogue
Literature
Georges Serret & Dominique Fabiani, Armand Guillaumin, Catalogue raisonné de l'oeuvre peint, Paris, 1971, no. 386, illustrated
Christopher Gray, Armand Guillaumin, Chester, Connecticut, 1991, p. 178
Condition
Work is in very good condition. Canvas is unlined. Under UV light: a few pin-head sized dots in the upper right sky and lower right foreground. Some original pigments also fluoresce. The surface retains a very rich impasto.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.