Impressionist and Modern Art

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Lot 112
  • 112

Marc Chagall

Estimate
30,000 - 40,000 EUR
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Description

  • Marc Chagall
  • LES FIANCÉS AUX DEUX BOUQUETS - PARAVENT
  • signé Marc Chagall et numéroté 43/100 (en bas à droite)

  • lithographie en couleur sur papier contrecollé sur quatre panneaux de bois (montés en paravent)

  • Paravent : 147 x 190 cm; 57 7/8 x 74 7/8 in.
  • Chaque feuille : 145,5 x 45 cm; 57 1/4 x 17 3/4 in.

Provenance

Collection particulière, Paris
Collection particulière, Suisse
Transmis par descendance au propriétaire actuel

Literature

André Sauret & Fernand Mourlot, Chagall lithographe, Monte-Carlo, 1969, vol. III, 1962-1968, no. 390
Marc Chagall-Gérald Cramer, Trente ans de travail et d'amitié (catalogue d'exposition), Musée National Message Biblique Marc Chagall, Nice, 1992, no. 144, illustration d'un autre exemplaire pp. 11 & 35

Condition

Executed on four sheets of white wove paper, presumed to be laid down on board. The sheets appear in excellent condition. This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

signed 'Marc Chagall' and numbered '43/100' (lower right), lithograph printed in colour on paper laid down on four wood panels. Executed in 1962 and printed from 1963 in an edition of 100.

Fig. 1, Séance de travail à l'atelier Mourlot en été 1962 (photographie de Hélène Adant)