Alessandro Rosi

The following condition report has been provided by Simon Parkes of Simon Parkes Art Conservation, Inc. 502 East 74th St. New York, NY 212-734-3920, simonparkes@msn.com , an independent restorer who is not an employee of Sotheby's. This painting has what appears to be an old lining, which in itself has a few reinforcements on the reverse. It is possible that the picture is actually unlined although the tacking edges have certainly been reinforced. The paint layer is quite disturbingly cracked and the structural restoration should be reexamined. The condition of the paint itself seems to be very good, although the varnish has bloomed and makes a proper viewing somewhat complex. Only a few retouches appear to have been added in the flesh of the central putti and of the reclining maiden, and perhaps a few spots around the edges. In general the condition is very healthy. Further restoration is certainly required to make the most of this well-preserved picture.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The present picture appears to be a more complete version of the painting in the Christian Museum, Esztergom, Hungary (see E. Acanfora, Alessandro Rosi, Florence 1994, p. 83, cat. no. 50, fig. 40, reproduced p. 150), but with differences such as the silver bowl and a fawn on the left.