Ilan ha-Kadosh (The Sacred Tree) Kabbalistic Scroll on Parchment, Oran, Algeria: 17 July 1902

1 scroll (3½ x 76 in.; 90mm x 1.93 meters). Written in black ink on three membranes in Hebrew square and semi-cursive script, horizontally and vertically blind-ruled in hardpoint. Some cockling and a few minor tears at edges only along the first five lines and not affecting text; tape repair at left edge 13 cm from the end of the scroll. Housed in a brass cylinder capped at one end. 

Giulio Busi, "The Visual Kabbalah," Mantova e la qabbalah. Skira, Milan; 2001, pp. 65–74

1 scroll (3 1/2 x 76 in.; 90mm x 1.93 meters). Written in black ink on three membranes in Hebrew square and semi-cursive script, horizontally and vertically blind-ruled in hardpoint. Some cockling and a few minor tears at edges only along the first five lines and not affecting text; tape repair at left edge 13 cm from the end of the scroll. Housed in a brass cylinder capped at one end.
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As early as the thirteenth century, and especially from the fifteenth and sixteenth centuries, kabbalists fashioned pictorial representations of the structure of creation as it progressed from Ein-Sof (the limitless) downward. Such diagrams were generally called ilanot ("trees"), and the differences between them reflect divergences among the various kabbalistic doctrines and schemes of symbolism. For centuries, drawings of this kind were to be found only in manuscript scrolls such as the present copy.

This hierarchical diagram charts the order of azilut (emanation) according to Lurianic kabbalah, from zimzum (contraction) and Adam kadmon (primeval man) through beriah (creation), yezirah (formation) and assiyah (action). This intricate example of the genre devotes the larger portion of its great length to the three worlds of creation, formation and action which are diagrammatically depicted in the later sections of the scroll.