Lot 2512
  • 2512

A FINE 'RU'-TYPE 'GARLIC-MOUTH' VASE SEAL MARK AND PERIOD OF QIANLONG

Estimate
1,000,000 - 1,500,000 HKD
Log in to view results
bidding is closed

Description

the pear-shaped body supported on a tall spreading foot rising to a waisted neck surmounted by a 'garlic-head' mouth, with two gently raised flanges around the neck, covered overall in a thick, soft cesious toned glaze suffused with a subtle widely dispered crackle, inscribed on the base with the six-character seal mark   

Provenance

A Private Japanese Collection.

Condition

The vase is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Finely potted and elegantly formed, this piece is notable for its delicate yet luminous glaze. A closely related example of slightly smaller size in the Qing Court collection, and still in Beijing, is illustrated in The Complete Collection of Treasures of the Palace Museum. Monochrome Porcelain, Hong Kong, 1999, pl. 215; another was sold in these rooms, 10th April 2006, lot 1610; and a larger example is illustrated in Sekai Toji Zenshu, vol. 12, Tokyo, 1956, pl. 93. Compare also a vase of this form with a teadust glaze, published ibid., p. 183, fig. 52; and a 'Ge'-type glaze version with Yongzheng sealmark and of the period, included in the International Exhibition of Chinese Art, Royal Academy of Arts, London, 1935, cat. no. 2589.

For the origin of this form compare the 'Longquan' vases recovered from a ship sunk off the coast of Korea in the first half of the 14th century, included in the Special Exhibition of Cultural Relics Found off Sinan Coast, National Museum of Korea, Seoul, 1977, cat. nos 53 and 54; and another in the National Palace Museum, Taipei, illustrated in Lung Ch'uan Ware of the Sung Dynasty, Taipei, 1962, pl. 10.