Attributed to Adamo Tadolini (1788-1868) Italian, Rome, circa 1820, After Antonio Canova (1757-1822 )

inscribed BEATI MORTVI QVI IN DOMINO MORIVNTVR, in ebonised wood frame

Overall the condition of the gesso is very good with some minor wear consistent with age including some chips around the base and on the second step. There some minor spots of paint or slip to the surface as visible in the catalogue photograph.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This small-scale gesso model is derived from Antonio Canova's Stuart monument in St Peter's basilica, Rome. The inscription and the portal with its flanking angels have been faithfully copied, but the three Stuart portraits have been excluded and the monument shortened into rather more harmonious proportions than were possible in the proscriptive location of the large-scale monument. Adamo Tadolini was employed by Canova to assist in the execution of the Stuart cenotaph and was the master's most faithful disciple.