Brett Weston

mounted, signed, dated, and inscribed 'To Aunt Mazie' by the photographer in pencil on the mount, matted, 1938

The photographer to his aunt, Mary Weston Seaman

By descent to her daughter, Jeannette Seaman

By descent to her nephew, John W. Longstreth

This early print, on paper with a surface sheen and on a thin, buff-colored mount, is in generally excellent condition. When examined in raking light, very slight silvering is visible at the periphery. There is light age-darkening of the mount at the edges, and occasional, light soiling on the front and the back. 'L84.2003.7' and EWP87' are written in unidentified hands in pencil on the reverse.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Taken in 1938, while Brett Weston was living in San Francisco, this photograph reflects a new concern with longer views of the city.  Much of his earlier work had consisted of details and abstractions, whereas here, Brett has pulled back to include the roofs and poles of his new urban environment, which are echoed in the clouds above.  Other images from his years in San Francisco were included in his 1939 portfolio, entitled simply San Francisco.