- 612
Wang Guangyi
Estimate
200,000 - 300,000 USD
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Description
- Wang Guangyi
- Great Criticism Series: Chanel
- signed and dated 2005 on the reverse
- oil on canvas
- 63 by 78 3/4 in. 160 by 200 cm.
Provenance
Acquired directly from the artist
Condition
This work is in very good condition. There is a minor evidence of wear to the corners and an unobtrusive evidence of soiling throughout the surface. Otherwise there are no apparent condition problems with this work as there is no evidence of inpainting under UV light inspection.Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Wang Guangyi believed in using the Chinese visual experience to make art; he wasn't just taking approaches from the West. But the irony is of course that he does take an approach from the West. People call him China's Andy Warhol, but not entirely; he uses this socialist realist imagery which is everything that was the Chinese people's visual experience from the Cultural Revolution on. There's a great honesty in that he's trying to confront something about the Chinese culture that people try to avoid.
Karen Smith (bloomberg.com)
Karen Smith (bloomberg.com)