- 172
Louise Nevelson
Estimate
250,000 - 350,000 USD
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Description
- Louise Nevelson
- Mirror Shadow XXXVII
- wood, painted black
- 42 by 71 by 14 in. 106.7 by 180.3 by 35.6 cm.
- Executed in 1981-1982.
Provenance
The Pace Gallery, New York
Acquired by the present owner from the above in 1982
Condition
This work is in very good condition. All elements are in sound and stable condition and are firmly attached. The surface elements show evidence of faint dust residue. There is evidence of minor and stable cracks and spot point paint losses scattered throughout the construction.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
But when I fell in love with black, it contained all color. It wasn't a negation of color. It was an acceptance. Because black emcompasses all colors. Black is the most aristocratic color of all. The only aristocratic color. For me this is the ultimate. You can be quiet and it contains the whole thing. There is no color that will give you the feeling of totality. Of peace. Of greatness. Of quietness. Of excitement. I have seen things that were transformed into black that took on just greatness. I don't want to use a lesser word. Now if it does that for things I've handled, that means that the essence of it is just what you call-alchemy – Louise Nevelson