- 173
Wucius Wong
Estimate
30,000 - 40,000 USD
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Description
- Wucius Wong
- Yellowstone No. 2
- signed in Chinese, dated 1984, and with a seal of the artist
ink and color on paper
- 52 3/8 by 27 1/8 in. 133 by 69 cm.
Provenance
Acquired by the present owner directly from the artist
Condition
This work is in a generally very good condition overall. There are no visible condition problems.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Between classical Chinese landscape and modern design theories, the two main driving forces in his creative journey, Wucius Wong aspires to a realm where he attains total harmony without loosing his own identity. 'Design theories that concern exclusively the creation of basic shapes and their organization actually deal with the universal principles of visual order. Visual order underlies all works of art that exhibit harmony', Wong explains his fundamental in art.