Lot 37
  • 37

The Destruction of the Tribe of 'Ad, an illustrated leaf from Hafiz-i Abru's Majma' al-Tawarikh, HERAT, PERSIA, circa 1420

Estimate
6,000 - 8,000 GBP
Log in to view results
bidding is closed

Description

Gouache with use of gold on paper, 19 lies to the page written in naskhi script in black ink, headings and significant words picked out in red, verso with 31 lines written in naskhi script in black ink, margins rules in red and blue

Provenance

Italian private collection, Traviso 1993.

Literature

Giovanni Caratola Ereditá dell'Islam, Arte Islamica in Italia, Venice, 1994, no. 227, pp.373-375.

Condition

some staining, creasing and rubbing, ink strong, some minor losses to right edge, overall good condition, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This leaf originates from the famous illustrated copy of Hafiz-i  Abru's Majma al-Tawarikh (Universal History). It was commissioned by the Timurid ruler Shahrukh and is a history of the world from its beginning to the middle of Shahrukh's reign (1405 – 1447), and encompasses Biblical, Iranian, Islamic and Chinese history. The work was based on  Rashid al-Din's Jami' al-Tawarikh, a universal history written for the Mongol ruler Ghazan. The aim of the work was to legitimize the ruling dynasty by giving it a sound historical pedigree. The dispersed copy from which leaf comes bears the library seal of Shahrukh himself, and was therefore presumably copied and illustrated under his instructions (Canby 1998, pp. 28-30).

Illustrated leaves from this manuscript are in the Metropolitan Museum of Art, New York, the Los Angeles County Museum of Art, The David Collection, Copenhagen, the collection of Prince and Princess Sadruddin Aga Khan, the Chester Beatty Library, Dublin, the Boston Museum of Fine Arts, the Cincinnati Art Museum and the Cleveland Museum of Art.