Karl Bodmer 1809-1893

(Sale:  Christie's, New York, June 5, 1997, lot 4)

Canvas is lined. SURFACE: in generally good condition; craquelure throughout (stable and flattened from relining) UNDER ULTRA VIOLET: difficult to see through old varnish and dark pigments--there is definitely inpainting--dot/dashes show throughout, but difficult to tell extent (don't see any large repairs, e.g. for tears, holes, etc.); a couple of letters of signature may be strengthened
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

While Bodmer is best known to us for the watercolors he created during his explorations along the Missouri River with Prince Maximiliam of Wied from 1832-1834, he actually achieved greater personal success as an artist later.  When he returned to Europe, he went to Germany intially, but by the late 1840s, had settled in Barbizon, France, where he remained for the rest of his life.  Here he found inspiration in the woodlands, showing his paintings at several Paris Salons to much acclaim.

This painting is listed as number 76.645 in the Karl Bodmer Archives, Swiss institute for Art Research.