Lot 204
  • 204

Ronald Ossory Dunlop, R.A.

Estimate
2,000 - 3,000 GBP
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Description

  • Ronald Ossory Dunlop, R.A.
  • Quai Voltaire, Paris
  • oil on canvas
  • 46.5 by 33 cm.; 18 ¼ by 13 in.

Provenance

Alex Reid & Lefevre, London, where bought by Sir David Scott in July 1936 for £21

Condition

STRUCTURE Original canvas in good overall condition. There are artist's pinholes in all four corners. PAINT SURFACE The paint surface is in good overall condition. There are a few tiny areas of minor craquelure in places across the surface. There are also areas of dirt and surface deposits which may benefit from a light clean. ULTRAVIOLET UV light reveals no sign of retouching. FRAME Held in a composition frame which has sustained some abrasions.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

'I don't know Paris well but I always feel that this picture could not represent a scene in any other town. It certainly conveys to me the feeling of light and elegance which is characteristic of so much of Paris.' Sir David Scott

Although Dunlop did not turn to art professionally until well into his twenties, his exuberant landscapes had become highly popular by the beginning of the 1930s. His first small exhibition with the Redfern Gallery in 1928 was such a success, that at a subsequent exhibition there the following year every picture sold. Much of Dunlop's best work date from his visits to Paris and the Continent and reflects his deeply held respect for French art of the Impressionist and Post Impressionist periods.