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JOHANN WILHELM WEINMANN (1683-1741) SIX BOTANICAL PRINTS FROM Phytanthoza Iconographia
Estimate
6,000 - 8,000 USD
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Description
- 18 1/4 in. by 23 in.
- 46.4 cm; 58.4 cm
Regensburg, 1735-1745; later hand colored engravings, now framed.
Condition
Overall in good condition, one with some minor creases as can been seen in the catalogue illustration; overall with minor foxing and areas of discoloration; not examined out of frames; giltwood frames with minor wear, small chips and inpainting.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Johann Wilhelm Weinmann of Regensburg, Germany, a noted apothecary and botanist produced the comprehensive florilegium Phytanthoza iconographia between 1737 and 1745. It consisted of eight folio volumes with over a thousand hand-colored mezzotint engravings of several thousand plants. His was the first botanical book to use color-print mezzotints successfully to achieve gradation of tone.