Lot 211
  • 211

William Turnbull

Estimate
30,000 - 40,000 GBP
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Description

  • William Turnbull
  • metamorphic venus 4
  • bronze
  • height (including base): 56.6cm.; 22¼in; width: 23.5cm.; 9¼in; breadth: 3cm.; 1¼in.

Exhibited

London, Waddington Galleries, William Turnbull: Horses – Development of a Theme, Other Sculptures and Paintings, June – July 2001, no.14, illustrated in the catalogue, p.31 (another cast);
Munich, Galerie Thomas, William Turnbull: Skulpturen, April –June 2002, illustrated in the catalogue, p.5 (another cast);
New York, Barbara Mathes Gallery, William Turnbull: Sculpture, April-June 2002 (another cast).

Literature

Amanda Davidson, The Sculpture of William Turnbull, The Henry Moore Foundation in association with Lund Humphries, 2005, no.212, illustrated p.157 (another cast).

Condition

The sculpture appears to be in good overall condition. There are some minor marks of surface abrasion on the base but the surface of the bronze appears to be good. Please telephone the department on 020 7293 5381 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Turnbull returned to sculpture in the mid-1970s and pursued a completely different path from the industrial minimalist manner he had previously explored. The new sculptures were exclusively in bronze, and seem to draw their inspiration from both natural forms and ancient and non-european idols and objects. The powerful but simple forms of these sculptures are often enlivened by minimal but potent markings, and Turnbull also explored the possibilities offered by the use of coloured patination. Combined with surfaces that have a timeless, weathered quality, Turnbull's sculptures of the early 1980s show an incredible ability to use the simplest forms and imbue them with a presence often far beyond their physical size.