Lot 344
  • 344

Maison Krieger A Louis XVI style gilt-bronze mounted kingwood, amaranth and Sèvres style painted porcelain vitrine Paris, circa 1900

Estimate
6,000 - 8,000 USD
bidding is closed

Description

  • Maison Krieger
  • height 5 ft. 6 3/4 in.; width 39 3/4 in.; depth 16 in.
  • 169.5 cm; 101 cm; 40.5 cm
surmounted by a brèche violette marble top with canted corners above a guilloche cast frieze with flowerhead marquetry, opening to four glass shelves, the lockplate engraved to the outside KRIEGER / a / Paris, the back with blue crayon number 16146

Condition

Overall in good condition with the usual chips to marble edges. Cabinetry is strong, veneers steady and the gilt bronze is slightly tarnished. Loss to amaranth veneer beneath the marble on the back left side and another one on the opposite side at the same location.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Both marchands-mercier and manufacturers of furniture with large mechanized workshops, Antoine Krieger and his brother Nicolas launched Maison Krieger in 1826 at 17, Rue Saint-Nicolas, Paris. In 1850 the firm was established as Antoine Krieger et Cie. By 1880 the firm was one of the largest mechanized workshop of furniture in Paris, located at 74, Rue Du Faubourg-Saint-Antoine. Numerous furniture styles were displayed and created by Maison Krieger, producing and exhibiting copies and creations of 18th century and Empire designs, while also creating modern interpretations of the Louis XV and Louis XVI styles. They were exhibitors at the major exhibitions of the 19th century up to the 1900 Exposition Universelle.