Jean-Baptiste Carpeaux

Overall the condition of the terracotta is very good. There is some minor dirt and wear to the surface consistent with age. There are minor chips at the bottom left side of the terracotta. A lock of hair to her proper right side is loose.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Suzanne surprise was one of Carpeaux's final works. The original plaster model, which featured in the 1913 Carpeaux sale, is signed and dated 1872. The model belongs to the series of expressive, almost wind-swept, figures and groups by the sculptor which include the Genie de la Danse, La Ville de Valenciennes défendant la patrie and Frère et soeur. Suzanne surprise was edited by the atelier Carpeaux in terracotta, bronze and marble. According to Poletti and Richarme it appears not to have been given a posthumous edition by Susse. The number of models produced in all three materials was limited.

RELATED LITERATURE
Lami, vol.1, p.272; Galerie des Ponchettes 1980, no.62; Valenciennes, p.92, no.204; Sculpture Passion, pp.48-51, no.61; Poletti & Richarme (2003), p. 96-97, no. SE19