Konstantinos Maleas Greek, 1879-1928

The so-called Generation of the Thirties- comprising such modernists as Maleas, Nikolaos Lytras (see lots 2, 3 & 42), Papaloukas (see lots 7 & 9) and Parthenis (see lots 6 & 8) - represented a reaction against conservative currents in painting and the institutions that fostered them. Most were members of the Omni Techni, a group that mounted the first secessionist exhibition in Greece in 1917.

Influenced by the Post-Impressionist movements of the early 20th century, Maleas' work is dominated by vibrant colours and thick brushstrokes. His technique of applying paint in layers was influenced by his teacher Henri Martin under whom he studied in Paris from 1901 to 1908. 

Maleas' pivotal importance in Greek painting is ascribed to the assimilation of Pont Aven symbolism; the arabesque line and flattened space of art nouveau, and the rich colouring of the Fauves. Throughout his life, Maleas travelled extensively and frequently in the East, visiting Constantinople, Egypt, Syria, Palestine and Lebanon. Portrait of an Egyptian was most probably painted in situ and is one of the earliest Oriental portraits known to have been painted by the artist in a private collection. Other examples can be found in the collection of the National Gallery and Alexandros Soutzos Museum, Athens and the Municipal Art Gallery, Rhodes. Another example signed and dated 1923 was sold at Sotheby's London last year.