Lot 45
  • 45

A fine gilt bronze figure of the Confession Buddha Suvikranta Jina Tibet, circa 17th century

Estimate
40,000 - 60,000 USD
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Description

seated on a cushion in vajraparyankasana and wearing a simple monk's robe over the left shoulder, his left hand in dhyana mudra and previously holding the khadja in the right, the pedestal inscribed in Tibetan at the back

Condition

In excellent overall condition. Minor accretion and rubbing to the gilding. The base has an original and intact consecration plate engraved with a gilded visvavajra.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The Buddhas of Confession represent the omnipresence of Buddha with the power to help sentient beings realize the nature of their sin. This example depicting Suvikranta is sculpted in an archaistic style and pays homage to the classic art of the post Gupta era Licchavi period (c. 300-879) sculpture of Nepal. The early Nepalese and Indian statues that were preserved in Tibetan monasteries were revered as the tangible link to the motherlands of the transmission of the Tibetan Buddhist faith in the seventh century. Thus the early sculpture was interpreted in such bronzes as the Suvikranta where the general character of the sculpture closely resembles these early statues; the large hooked nose and full and protruding lower lip are typical features of Licchavi art. Indeed the original Sanskrit text concerning the thousand Buddhas, which include the thirty-five Buddhas of Confession, is said to have reached Tibet in the seventh century, a time when Nepalese artists created some of the finest early sculpture extant in Tibet, the seventh century wooden carvings of the Jokhang, Lhasa.

What may be another from this series of thirty-five bronzes is now in the Los Angeles County Museum of Art, certainly the same height and very similarly made, see Pratapaditya Pal, Art of Nepal, 1985, p. 117, no. S38. And for a fine gilt and painted Maitreya in The Nyingjei Lam Collection also displaying archaistic reference to Licchavi sculpture, see David Weldon & Jane Casey Singer, The Sculptural Heritage of Tibet, Buddhist Art in the Nyingjei Lam Collection, London, 1999, p. 120, pl. 27.