A gilded, solid cast bronze Buddha Sri Lanka, Late Anuradhapura Period, 9th/10th century

seated in virasana on a slender plinth, the hands placed in the lap forming dhyanamudra, with the robes lying flat against the body, the ends of which are placed over the left shoulder leaving the right shoulder bare, the hair is incised to indicate curls and is topped by a siraspata, a flame emanating from the crown of the head, probably once inset with a ruby

Gilding rubbed and patches of green incrustation in places over the surface. The stone inlay in the flame finial is missing. Good overall condition. No restoration.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This type of Buddha image is frequently found in the art from late in the Anuradhapura Period (circa 500 B.C - 10^th century). The shoulders are broad and angular, the neck short and the large flame finial on the head is particularly characteristic. The pose is fairly rigid to denote a serious and deep mediation. Compare to Von Schroeder, U.; Buddhist Sculptures of Sri Lanka, Hong Kong, 1990, pp. 203-207, Plates 53F, 54 A-H and 55 D-M.