Photographs from the Private Collection of Margaret W. Weston

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Lot 8
  • 8

Edward Weston 1886-1958

Estimate
25,000 - 35,000 USD
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Description

  • Edward Weston
  • 'PELICAN'S WING'
on a large tan mount, signed and dated by the photographer in pencil on the mount, titled by him in pencil on the reverse, matted, 1931

Provenance

Stefan Lennert, Munich

Acquired by Margaret W. Weston from the above, 1984

Exhibited

Hannover, Kestner Gesellschaft, Anton Josef Trcka, Edward Weston, Helmut Newton: The Artificial of the Real, March - May, 1998

San Francisco, Ansel Adams Center/Friends of Photography, Defining Modernism: Group f.64, September 2000 - June 2001; and traveling to Gainesville, Florida, Samuel P. Harn Museum, January - May 2001

Monterey Museum of Art, Passion and Precision: Photographs from the Collection of Margaret W. Weston, January - April 2003

Literature

Carl Haenlein, Anton Josef Trcka, Edward Weston, Helmut Newton: The Artificial of the Real (Kestner Gesellschaft, 1998, in conjunction with the exhibition), p. 112 (this print)

Other prints of this image:

Conger 653

Beaumont Newhall, Supreme Instants (Boston, 1986, in conjunction with the exhibition originating at the Center for Creative Photography, Tucson), pl. 97

Sarah Lowe, et al., Edward Weston: Life Work (Revere, Pennsylvania, 2004), pl. 44

The Daybooks of Edward Weston, Volume II, California (Aperture, 1973), pl. 11

Kathy Kelsey Foley, Edward Weston's Gifts to His Sister (Dayton Art Institute, Dayton, 1978, in conjunction with the exhibition), p. 46

Manfred Heiting, ed., Edward Weston (Köln, 2004), p. 123

Therese Thau Heyman, Beaumont Newhall, Mary Street Alinder, and Naomi Rosenblum, Seeing Straight: The f.64 Revolution in Photography (The Oakland Museum, in conjunction with the exhibition, 1992), pl. 40

Jean S. Tucker and Willard Van Dyke, Group f.64 (University of Missouri, 1978, in conjunction with the exhibition), p. 51